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This is what tea will be like in The Simulation

lewisandquark:

What would it look like if, in the distant future, a group of machine intelligences tried to make tea? Not just to brew tea, but to recreate the entire concept from long-forgotten synapses buried deep within the hidden layers of their virtual brains?

To see what that might be like, I turned to a neural network I’ve used before, a huge model called GPT-2 that can draw on words and correlations that it’s learned from scanning huge chunks of the internet. I prompted it with a list of green teas - teas with evocative names like “Yellow Furry Peak”, named for its fuzzy leaves whose pointed tips resemble the peaks of the Yellow Mountains.

My first attempt, via talktotransformer.com, produced names that seemed more like what you’d get if you randomly started mixing words from the original list - you could tell what they were supposed to be, but they had less character, as if the features had all been smoothed away. That’s one way neural net-generated stuff can go - realism, but a sort of cardboard realism.

So for my second attempt, I used another way of sampling GPT-2, gpt-2-small, that gave me more control over the output. With temperature set to 1 and truncation turned off (both ways of letting the neural net produce less-probable output), I got results that wouldn’t pass as human teas, but were exactly what I was looking for. That’s my favorite style of neural net-generated text - the type that flagrantly fails the Turing test.

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Six Vermilion Unicorn
Playing The Amber Eagle
Glowing Sky Rabbit
North Circular Eye
Afternoon Supper of Peace
Cold Sheep & Thunder!
Giving Away Stardust
Green Great Gourd of Sunrise
Slippery Violet Sands
Ember Lathe
Wet Leaves

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Laptime Tree Spider (Black)
Old Blue Beetle Drink
Pieces of Peppercorns
Memory boops
Headaceous Granite Drink
Fine Deerscald (fresh scent)
Indoor Cream Wave
Safe Bucket Buddy
Somewhat fair Clever Cat
1 Angry Egg
Fluffy Sandberry Tea
Squirrely Bubbles
Sonara Goat Potswreck
Travesty Bee Hatch
Kitten Pond
Winter Snail Glitter Bomb
Hating Frosty Moon Glands

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Green Slime Essence
Fresh Green Skunk
Strawberry Lime Dissolution  B
Ice Chlorophyll Glaze
Bleeding Apples with Sea Salt
Dangerous Rock TREET
REFILLED POWER Fraps
0-3 ½.5Gridges
26 Grief Hills
4 Cup Emulsion
Drcrated skin finishes!
Size Yes 37 (21,28,38) x 54 (9 or 15)mm
Shiny Living Veins
Blue Foam Duet
Fish Drumstick
A unique combination of leaf of fire and custard Sodium ascending Fujiyama

Bonus content: more teas!

I would absolutely drink Memory Boops tea.

illhaveuknowthatiloveyou:

boringangel:

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olivia de recat for the new yorker

can someone explain this to me in words bc i don’t understand any of them 

It’s something like charting relationship closeness over time. So e.g. you are super close with your childhood best friend early in life, but then you drift apart, but then late in life you might re-enter each other’s orbit. Whereas a one-night stand is two completely separate life lines that intersect at one discrete (discreet?) moment. Or a relationship with a dog is super tight, but also temporary, since dogs only live for so long.

thenearsightedmonkey:

Comic strip by classmate Bohzo (earth name Tzu Lun Hwang)

University of Wisconsin-Madison

See more of her work here.

thenearsightedmonkey:

fujiwara57:

“Kaibutsu Ehon 怪物 絵本” - le livre illustré de monstres présente des gravures sur bois de yōkai 妖怪 , ou créatures du folklore japonais. Illustré par

Nabeta Gyokuei 鍋田玉英  actif vers 1880.

Note :  Le Kaibutsu Ehon est un livre de 1881 qui s'inspire des œuvres influentes de Toriyama Sekien 鳥山石燕 (1712-1788), érudit du XVIIIe siècle et artiste ukiyo-e 浮世絵, connu pour sa tentative de cataloguer les nombreuses espèces de yōkai 妖怪 au Japon.

Dear Students,

For extra credit, copy any of these pictures.

Draw your frame, do a 10 minute non photo blue pencil rough, then do simple line work for 20 minutes, then water color for 30 minutes. Try to keep it to exactly one hour. You can do it in your compbook or on your Strathmore paper but remember to cut it down to 8.5. 11.  Draw the frame any size you like but be sure to leave at least a 1/2″ all around.

Copying is such a good way to learn about your materials and about lines you might have otherwise never thought to make.

Sincerely,

Prof. Hantu

(via thenearsightedmonkey)

fujiwara57:

“Kaibutsu Ehon 怪物 絵本” - le livre illustré de monstres présente des gravures sur bois de yōkai 妖怪 , ou créatures du folklore japonais. Illustré par

Nabeta Gyokuei 鍋田玉英  actif vers 1880.

Note :  Le Kaibutsu Ehon est un livre de 1881 qui s'inspire des œuvres influentes de Toriyama Sekien 鳥山石燕 (1712-1788), érudit du XVIIIe siècle et artiste ukiyo-e 浮世絵, connu pour sa tentative de cataloguer les nombreuses espèces de yōkai 妖怪 au Japon.

(via thenearsightedmonkey)

fujiwara57:

“Kaibutsu Ehon 怪物 絵本” - le livre illustré de monstres présente des gravures sur bois de yōkai 妖怪 , ou créatures du folklore japonais. Illustré par

Nabeta Gyokuei 鍋田玉英  actif vers 1880.

Note :  Le Kaibutsu Ehon est un livre de 1881 qui s'inspire des œuvres influentes de Toriyama Sekien 鳥山石燕 (1712-1788), érudit du XVIIIe siècle et artiste ukiyo-e 浮世絵, connu pour sa tentative de cataloguer les nombreuses espèces de yōkai 妖怪 au Japon.

(via thenearsightedmonkey)